In a dilapidated Neapolitan apartment furnished in punk style, a dysfunctional extended family takes center stage. Amidst arguments, reconciliations, tensions, and clarifications, on the night the Berlin Wall falls, Erri Gargiulo, a shy and unambitious forty-year-old, decides to tear down his own personal walls and turn his life around.

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Aldo, recently turned 40, is left out of the blue and without explanation by Alessia after a 15-year relationship. On the advice of a friend, Aldo decides to begin a course of therapy. During the sessions, his psychologist Carlo, a 70-year-old introvert, discovers that he has had the same experience that prompted Aldo to turn to him.

A girl who competes in a swimming competition for a huge stake. by having to face a rival who was her best friend.

YAn amusing live-action series set in the fantasy world of Hairyland that follows the fun-loving adventures of the chaotically-comic family, the Ha Ha Hairies. The Ha Ha Hairies are a happy-go-lucky family whose lives are full of joy and laughter. There's Ma Ha Ha, Pa Ha Ha, their elastic gymnastic daughter Mini Ha Ha, and the family dog Chihua Ha Ha. Plus there's Nana Ha Ha who lives nearby in her extraordinary Arty Den, and Boris and Boyzie Boo Hoo who live in Chateau Shampoo.

Every night, Johann puts on bat's wings and flies off to enjoy himself. Bella, troubled by her husband's hedonistic activities, consults with her friend Ulrich and plots to disguise herself as a mysterious beauty to seduce her husband. A ballet in two acts after Johann Strauss' "Die Fledermaus" choreographed by Roland Petit, staged by Teatro alla Scala and filmed for television.

To stage Verdi's Il Trovatore, according to Arturo Toscanini, you need to bring together the four best singers in the world. This stunning production at Milan's La Scala unites four luminaries of today's opera scene to great effect: with his lilting legato, Marcelo Álvarez (Manrico) does justice to the opera's bel canto character; Franco Vassallo brings assurance and flair to the Count di Luna; Maria Agresta (Leonora) effortlessly rises to the challenges of the score; and Ekaterina Semenchuk (Azucena) also masters the most difficult notes. With the fastidious Daniele Rustioni leading La Scala's world-class orchestra, the music leads the action apace, resounding alongside the hall's legendary chorus and amid monumental sets and decor in this sublime production of one of the world's favorite operas.

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A young woman has a mental breakdown in a state institution.

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